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Archive for February, 2008

February 24th, 2008
Winter Bugs and Black Silk

Sorry to be late! I’ve gone through another round of kids with stomach bugs, and have some big revisions to do on my WIP, and the time just got away from me.

I’ve wrestled the revisions under control and have a clear plan of what I need to do, so now it’s a matter of putting the words to the page. Hopefully, the right words this time. I’ve also realized that I can’t write a book from a synposis. I need to do an synopsis that gives me the feel for the story and its emotional highpoints (and basic plot) and then write an outline.
It’s always a learning process.

Since it’s winter I have to hurry out and take the kids up for some skiing, so I’m going to post a small excerpt of my upcoming BLACK SILK—out so soon, April 2008:

One glass of champagne for courage.

Maryanne handed her empty flute to a barechested, masked footman, who whisked it away. She couldn’t help but stare at his finely hewn, bronzed muscles, such a startling contrast to his immaculate powdered wig and black breeches.

Her invitation had gained her entry to Mrs. Master’s salon, but she rather felt as though she’d walked into hell. Surely hell was as hot, as raucous, and smelled as strangely. Decorated in Eastern fashion, the salon was a sumptuous den of gold and scarlet, velvet and silk. Pillows spilled everywhere, on daybeds and on the floor. Couples and groups explored pleasure in sensuous and astonishing positions.

Behind her mask, Maryanne’s cheeks heated. She pushed aside a spray of glittering red beads that dangled from a swinging lamp.

Most of the women strolling about were completely nude, and they encouraged the handsome gentlemen to paw, pinch, or kiss them in any place desired before inviting them to play on the cushions. A few wore virginal gowns of pale silk, like hers, so she did not look out of place, at least.

How would she find Georgiana in this crush?

“My dear, you must be parched.”

Another glass was thrust into her hand. She half-turned and the gentleman bowed. Lord Craven. She almost dropped the glass. Lord Craven had been featured in many of her authors’ books. The acts he enjoyed gave her nightmares.

He plucked the glass from her fingers, his smile dazzling. Craven was a handsome man, a fair-haired gentleman with angelic blue eyes, long lashes of gold, and lean, sculpted form. He held the glass to her lips. “Such a delicious brew is not to be wasted.”

This was a smaller glass than the one that had held champagne and the fluid within was a deep burgundy. What harm in a sip?

But Craven tipped up the glass, and the liquor was sweet, intoxicating, and tempting. She continued to drink. At his laugh, she saw she’d drained the glass.
He gave her a leering wink and raised his hand. Instantly another tray of champagne was presented. “To cleanse the palate.”

It was true. The drink was…clinging to her tongue, sickly sweet. She took the champagne. He grabbed a flute and drank it in a gulp. “Do you dare, my dear?”

His smug smile irritated. “I’m not a fool, my lord.” She thrust the glass back, untouched, on a passing tray. She did not have to do as Lord Craven asked.

“Ah, the timid and pretty kitten is now a lioness.” But his smirk became a beaming grin of delight.

Understanding dawned. Most jades would not be concerned about becoming drunk. She had given away a clue that she was not a lightskirt.

Blast.

Lord Craven raised his hand. In the blink of an eye, men surrounded her, gathered by Craven. They made a circle—eight of London’s most desirable gentlemen.

February 6th, 2008
Made for Each Other

I’ve been caught up in the administration of writing for the last couple of weeks, and am so thrilled to be back working on my current story. Thanks, Pam, for posting the link to the article by Martin Amis. I was really struck by this passage of Mr. Amis’ about Pride and Prejudice: “Even now, as I open the book, I feel the same panic of unsatisfied expectation, despite five or six rereadings. How can this be, when the genre itself guarantees consummation ? The simple answer is that the lovers really are made for each other – by their creator. They are constructed for each other: interlocked for wedlock.”

How can an author make the reader believe in the happily-ever-after, i.e. make the reader beliebe the hero and heroine will be sixty (or so) and still finding passion together? Passion heightened by the long understanding of lovers, and made all the more intriguing by the secrets kept for a lifetime. (Honestly, would anyone admit to their spouse what they really fantasize about?)

Mr. Amis’ idea intrigued me because one of my critiquers said the same thing of my first Bantam Dell book. She told me that she felt I created heroines and heroes who belonged together. And the truth is, I consciously want to do that. The hero has to give the heroine something that she can’t find in herself. He has to challenge her to grow. He has to complement her. On the fundamentals of life—money, morals, children, dreams and hopes, they have to be on the same page, at least eventually. In short, they have to be capable of having a strong partnership through life.

As Mr. Amis states, why are am I, as reader, on the edge of my seat, wondering whether there will be a happily ever after, even though I know there must be one? I think the mystery and excitement is in the process—and in the waiting for those moments of revelation. What I’m hanging on for is to see how each character will grow—because that’s the way they will complete each other. Unless the character changes, there can’t be the partnership. What keeps me turning the pages is the excitement of each step in the process and the pain/reluctance of each character to take that step. In Pride and Prejudice, Lizze could have accepted Mr. Darcy’s first proposal with money and security in mind. She doesn’t because he hasn’t grown yet. We might know there will be a marriage at the end, but the mystery to me is: will it be made for the right reasons, or the wrong ones? Will there be happiness? Will it last?

Now I’m preparing to work on my second book for Bantam Dell. I’m writing an erotic vampire romance right now for Aphrodisia and letting my next sensual historical romance percolate. A while ago I talked with my agent about book 1. She mentioned that I could choose a titled hero for book 2. And I could. But my heroine has survived an abusive marriage, attended a sex club for couples with her late husband, and is generally steeped in scandal. She was championed by her best friend even when everything looked black against her—did she murder her husband or not?

Even so, she could have fallen in love with an earl or a duke. How, after all, could a gentleman bring a scandalous widow into his family? But suddenly the hero stepped into my story. He’s not titled—he’s a bastard son. As a youth, he was involved in a horrible murder (he’s still heroic, though, as will be seen). He is tormented and at the start of the story, he has a death wish. These are two people I believe can believe in each other, even when the rest of their world doesn’t. It’s early days yet, and things may change for this story, but this hero and heroine are calling to me. And if I’m passionate about them, I know they are going to be passionate about each other.

What keeps you turning the pages of romance when you know there’s going to be a happily ever after ending?